What the Hell Just Happened?! Comfort and Wisdom for When Your World Falls Apart

Announcing the launch of my hardback picture book for adults and all ages due out on 21st August  2018, What the Hell Just Happened?!: Comfort and Wisdom for When Your World Falls Apart.  More so than most of my work, this was written and drawn, straight from my heart and guts!

Consider it a friendly pick-me-up to clear the mind and set you up to make plans for a positive future, like a chat and drink with a good friend.  It’s visual comfort and wisdom for anyone who’s going through a tough time, be it a bad break up, the loss of a job, failing an exam, losing a loved one, not getting a promotion, or any other difficult life challenge.  Also good as a nice day-to-day lift!

Writing and drawing comics and books can be an incredible cathartic experience and this was a perfect example of creating something in order to work through stuff!  As ever though, I’ve aimed to make the book universal for as many people as possible, facing whatever their own troubles and burdens might be.

Drawn in dip pen and ink, it may have been my most enjoyable book to illustrate, and has some of the artwork I’m most proud of.

Edited by James Cherry and brought to you by Jessica Kingsley Publishers who also published my children’s picture book, You Make Your Parents Super Happy!, my all ages comic strip collection, Lucy the Octopus, and through it’s imprint Singing Dragon, my graphic novel, When Are You Going to Get a Proper Job?!

Here’s what Jessica Kingsley Publishers say about What the Hell Just Happened?!

You feel like you’re…how can I put it…falling?’

This inspirational gift book helps readers overcome troubling times in their lives. Through vivid illustrations and positive affirmations, the book shows how you can face your past and embrace your future. The author provides thoughtful tips to remind you of what you can be at your emotionally strongest and smartest.

Written by successful graphic novelist Richy K. Chandler, this will help you face life head-on and appreciate all that is good in your life. Ideal to gift to anyone going through a rough patch, or for use by therapists and counsellors.

Plus other nice things said about the book by awesome people…

‘This charming little book by Richy K. Chandler works like a lifebuoy. When you feel down, reach out and grab it. As you travel through this colourfully and weirdly caricaturized world, eventually you will find yourself kicking away from the depths of sadness and reaching toward the light above you.’
Chie Kutsuwada, Manga-creator and illustrator

‘When life throws you a curve ball, grab comics pioneer and illustrator extraordinaire Richy K. Chandler’s What the Hell Just Happened. In this beautifully drawn comic, not only will you be guided through encounters with the dragons of your past and any heavy anchors of regret, but, with the help of a large mallet, you will also be advised how to thrash a few flying meteors of powerlessness. This is a truly ground-breaking self-help comic!’
Dr Sarah Lightman, Eisner-Award winning author and comics artist, and co-founder of Laydeez do Comics

Preorder the book online or buy it from August 21st 2018:
JKP Books
Waterstones
Amazon

Fixing mistakes as I go along! Mermaid Painting Process

Okay, this was a really enjoyable commission I did at the end of last year.  I know it’s not always possible, but it’s great when a client gives you free range to do what you want.  Even more so when you can trust they aren’t going to ask you to change the final thing!

The client was after a painting somewhat along the lines of this Alphonse Mucha style Lucy the Octopus strip…
2015-06-03-150… but it needed to be an A2 size picture in watercolour and ink rather than ink and then Photoshop colour of the Lucy strip.

I didn’t have too long to get the painting done, due to other commitments, so just dived in with some quick ideas in my sketchbook…
Mermaid-Blog-01-Idea Mermaid-Blog-02-Rough-PlanNext I was on to the pencils…Mermaid-Blog-03-Pencils Mermaid-Blog-04-Pencils Mermaid-Blog-05-Pencils Mermaid-Blog-06-PencilsThen inking with a brush…Mermaid-Blog-08-Inks Mermaid-Blog-09-Inks Mermaid-Blog-10-Inks Mermaid-Blog-11-InksThen I got out the old sharpie and marked out frame borders on my drawing board. Easy as… OH €£@*!  I’VE DRAWN A LINE RIGHT THROUGH THE MERMAID’S HAIR!!!!
This is a DISASTER!  I can’t click undo like on Photoshop, and I can’t tippex over it as that will mess up the watercolour when I lay that down!  AAARRRRGGGGHHH!Mermaid-Blog-12-mistakeFortunately, I’ve done the painting on nice thick watercolour paper, which means with a stanley knife I can scrape off the top layer of paper … Mermaid-Blog-13-mistake… and get rid of the black line!
It certainly leaves a dent but hopefully, by the time I add watercolour no one will notice!
Mermaid-Blog-14-mistake Mermaid-Blog-15-InksSo back to the inking, mainly with a brush but also with a bit of drawing pen…Mermaid-Blog-16-Inks Mermaid-Blog-17-Inks Mermaid-Blog-18-Inks Mermaid-Blog-19-Inks Mermaid-Blog-20-Inks Mermaid-Blog-21-Inks Mermaid-Blog-22-InksTime to erase the pencils… Mermaid-Blog-23-eraseAdd a quick plaster to my finger which has a blister from so much inking… Mermaid-Blog-24-blisterA few final details with a fine pen…Mermaid-Blog-25-Finished-InksThen I lay down the watercolours…Mermaid-Blog-26-watercolourI’m using some new liquid watercolours, and everything’s going fine.  Right?Mermaid-Blog-27-watercolourAll going swimmingly (no pun intended)… Yep.  No problems here!Mermaid-Blog-28-a-watercolourOH €£@*!  Who am I kidding?  I’ve done the blue borders way too dark! 
It’s a general rule of thumb with watercolour to build up the lighter tones first, then work up in layers to the stronger richer tones, BUT I’VE LEFT MYSELF WITH NOWHERE TO GO!
Mermaid-Blog-28-things-go-wrongDrastic action is required!
I take an army of wet Q-tips and try to remove the blue…Mermaid-Blog-29-things-go-wrongIt barely makes a difference… Mermaid-Blog-30-things-go-wrongI carry on adding other colours in denial.Mermaid-Blog-31-things-go-wrong Mermaid-Blog-32-things-go-wrong Mermaid-Blog-33-things-go-wrongBut in the end, I get out the gouache paint!  Unlike the translucent watercolours, gouache is opaque so I can go over the blue frames with a paler greyer blue tone.
It takes a couple of hours but worth it to save the painting!  The eye is now drawn away from the frame to the more important stuff in the picture!
HOORAY!  JOB DONE!  Mermaid-Blog-34-things-go-wrong Mermaid-Blog-35-things-go-wrong Mermaid-Blog-36-watercolour Mermaid-Blog-37-watercolour Mermaid-Blog-38-watercolourNow I try a new trick!  Using masking tape I make little star shapes to mask the next layer of watercolour.Mermaid-Blog-39-masking-tape-trickAfter it’s dry, I carefully peel off the tape to reveal lovely little stars below.  It works pretty well…Mermaid-Blog-40-masking-tape-trickBut OH €£@*!  The tape has ripped some of the painting.  PROBLEM NUMBER THREE! Mermaid-Blog-41-masking-tape-trickBut a quick touch up with drawing pen and watercolour and all is well! Mermaid-Blog-42-masking-tape-trickAll done, and the client will never know all the issues I had attempting to bring this thing to life (unless I write them all out in a blog).Mermaid-Blog-44-Finish

HOW TO MAKE A COMIC STRIP (or more accurately How to make the 93rd installment of Lucy the Octopus): VIDEO!!!

To finish up my blog series on the details of making an installment of Lucy the Octopus please find a short video overview of the process.  Cheers!

For Part 1 of this series of blogs, The Foundations of Writing, click here!
For Part 2: Script, Lettering & Layout, click here!
For Part 3: Pencils, click here!
For Part 4: Inks, click here!
For Part 5: Erasing, Scanning & Cleaning Up click here!

HOW TO MAKE A COMIC STRIP (or more accurately How to make the 93rd instalment of Lucy the Octopus) PART 4: INKS

For Part 1 of this series of blogs, The Foundations of Writing, click here!
For Part 2: Script, Lettering & Layout, click here!
For Part 3: Pencils, click here!

So here I am, in the midst of creating the 93rd Lucy the Octopus strip.
Pencils-12Having completed the pencils (see above) and while the paper is still stuck with masking tape on to my drawing board, I get out my inking tools.  These consist of permanent ink black drawing pens in a range of sizes:

Fine line drawing pens, either Staedtler Pigment Liners or Uni Pin Fine Lines with the following tip sizes: 0.8, 0.5, 0.3, 0.2, 0.1
Sharpie markers: Fine point and Chisel Tip
Set Squareinking-toolsI don’t recall ever using a ruler to ink something in the Lucy strip.  The only perfectly straight edges are the panel borders which I draw out in 0.5 pen using the horizontal bar of the drawing board and a set square.

I leave the last panel without a frame to aid with the feeling of Lucy and Kate being lost and vulnerable.

Prior to that I inked the lettering for the KERLANK sound effect to avoid that over lapping with my panel borders.Inks-2Next up, I free the paper from the shackles of the masking tape!  This gives me the option to rotate the paper as I ink to reach the most comfortable position for drawing each line and curve.  This is even more important when I use a brush to ink as oppose to pens (which I’ve done a few Lucy strips requiring a different style, as well as lots of other work).

Sometimes ‘ll stay at my drawing board to ink, but often I’ll sit with my knees up and a couple of old sketch books to lean on.  It’s not essential but preferable to ink facing a black and white cat a few feet away.Inks-3Before I get on to the real art, I draw out the speech bubbles in a 0.5 line.

You can see below how it looks easier to draw a curve when you can adjust the paper to a comfortable angle (but I still mess it up)!Inks-4That little arrow I draw is to remind me to fix the mistake with the speech bubble after I scan the work into my Mac (ready to colour on Photoshop).  It’s quicker to do this than to use tippex or opaque white paint on the actual paper.
I’d wondered if I was the only inker to do this but I saw that when Mike Medaglia did some art for Tempo Lush Tales, he’d also done little arrows to show him where to fix things up on the computer.  Maybe lots of folk do it!

Inking is an opportunity to look at the pencils with fresh eyes and make tweaks and improvements to the composition.  With this in mind, I add an extra A at the beginning of the scream in Panel 3.

Not sure if it’s a bit of a faux pas inking the signature before completing everything else, but I do it anyway, because nobody tells Richy how to roll and I’m a complete badass.Inks-5On to inking the actual drawing. Sometimes I do this panel by panel. More usually I approach the strip as a whole and work from the thickest pens down the to the finest.  This saves a bit of time by not stopping to change pens so often.

So I start with the fine point Sharpie and do the character’s eyes.  No need for Chisel tip Sharpie today.Inks-6A good rule of thumb is draw things in the foreground in a thicker line than things behind in a picture.  That’s why I tackle Mrs Faridani in 0.8 line and will do the passengers behind her with a thinner pen.
Inks-7I also use the thicker line of the 0.8 pen to give the feeling of weight under elements such as the underside of the monster in Panel 2 and the handle in Panel 4. Inks-8I finish with the 0.8 pen and start with the 0.5.Inks-9I continue to work on the first 3 panels…Inks-10…until the 0.5 line work is done.Inks-11I switch to the 0.3 pen to work on finer lines, including characters further towards the background.Inks-12Finally I use 0.2 and 0.1 pens for the finest details, like the tiny passengers in Panels 2 & 5 and the characters in the deepest depths of the background of Panel 1.Inks-13The drawing part of the process is complete!

Join me next time for a thrilling look into… erasing the pencil marks! 

I may be overselling this.

For Part 1 of this series of blogs, The Foundations of Writing, click here!
For Part 2: Script, Lettering & Layout, click here!
For Part 3: Pencils, click here!
For Part 5: Erasing, Scanning & Cleaning Up click here!
For Part 6: Colours click here!
For a video overview click here!

Evolution of an Anthology Cover: Tempo Lush Tales Cover Process with Darker Chi Lynch

So designing the cover for an anthology’s a tricky thing.  Do you focus on an image representing one of the stories inside, or make reference to all of them?  What was I going to put on the front of Tempo Lush Tales that would encompass what the book’s about and make people want to pick it up?

After researching other anthologies (both comics and regular ol’ wordy books) I settled on trying to get an overall vibe of the collection across in a single image.  There’s a variety of styles in the book from dark satire to softer sweetness so I hoped to come up with something that would bridge common ground of all the ideas in the book without focusing on any specific story or character.

I wanted something that showed something of this Earth but with a fantastical twist – something like a flying whale!  This was the perfect image but far from original – a quick google of the term brings all sorts up, plus I was already a fan of the whale sequence from Disney’s wonderful Fantasia 2000, so didn’t want to ape that.

I considered all sorts of flying objects and animals – very hard to find something that hadn’t already been done.  I eventually tried playing with the concept of giant flying pineapples.  See my early messing around with the idea on Photoshop below…

tlt-cover-blog-01Even as a very rough depiction of the idea, it wasn’t quite gelling for me.  I had plenty of other work to be getting on with so I put the cover aside for a few weeks.

As the deadline for the release of the book was closing in, I turned to artist and designer, Darker Chi Lynch, to see if she could do better than my own attempts.

She was smart and tried quickly getting down on paper loads of possible directions the cover could take, based on talking through my concept for the collection with me…
tlt-cover-blog-02We both kind of liked the cubes and the big eye thing.  Darker tried playing with the cubes…tlt-cover-blog-03…but didn’t feel it was quite right for the project.  It was a little mathematical and we needed something more organic. tlt-cover-blog-04The eye definitely seemed the way to go.  We talked about the concept of having the eye in the knots or the rings of a tree trunktlt-cover-blog-05Suddenly things were clicking.

When you cut a tree down you can count the rings of the trunk and tell how many years it had lived for.  We liked the idea of the eye being a spirit from within the tree, able to tell not only how old the tree was but many more stories.
It also made sense that cutting the tree down releases those stories, as paper from the tree would is turned into pages delivering stories to a reader.

Darker did a mock-up on Photoshop of a potential cover, which was pretty close to the final result – it just needed polishing.tlt-cover-blog-06It was helpful to see the colours she envisioned at this stage.

A tree happened to have been cut down in front of a neighbour’s drive.  I sent photos to Darker for inspiration.tlt-cover-blog-07She got out her brushes and ink and went to work on the trunk image for the cover as well as the stars hung up with string.tlt-cover-blog-08 She had a few stabs at the title text and the central eye
tlt-cover-blog-09
She did multiple eyes after we discussed using them as part of the interior design of the book too.  We hadn’t decided what would go where yet or which eye would make it on to the cover.tlt-cover-blog-10Darker combined the new art with the colours and textures of her earlier Photoshop rough.  She tweaked the title lettering a little, making it white with a shadow to really make it stand out.tlt-cover-blog-11And there you have it.  Thanks very much to Darker Chi Lynch – hope I can work with her again!

You can get hold of a copy of Tempo Lush Tales here!

Tempo Lush Tales Teasers: Keara Stewart

So lucky to have the fabulous Keara Stewart doing portraits of all the creators for the pages of Tempo Lush Tales.

Here’s Keara herself!
KearaAnd here’s me!
Richy-and-Suki-NEWYou can also see lots of Keara’s wonderful, lively line drawings in her ‘On the Escalator’ solo exhibition in Hackney…

Proper Old, 173 Dalston Lane, Hackney, E8 1AL
2nd Oct-18th Oct 2014
Private view – Thursday 2nd October from 6pm-8.30pm

Cover-for-Promo

New Lucy Painting but what’s it for?

Finished up a watercolour image of Lucy and the Demon Beast on Friday.
What could I use it for?
Starting with some pencils…
Lucy3Cover1Paint in the main colours of the two characters…Lucy3Cover2 A bit more tone and the base layer for the other colours…
Lucy3Cover3
Adding the eyes always brings a character to life…
Lucy3Cover4
A hint of a background bringing out the blue of Lucy, plus some colour pencil work…
Lucy3Cover5
Finally some black ink…
Lucy3Cover6
A clean up on Photoshop whiting out the surrounding paper…Lucy3Cover7 And this demon beast is ready for its close up!
Lucy3Cover8updateWhy!  It’s the cover of the third printed Lucy comic: Any Less the Freak, out in October…

Plus for those who don’t know, there’s a launch party in London on Friday October 3rd, for Lucy the Octopus: Any Less the Freak along with three other new Tempo Lush Publications, Tempo Lush Tales, Bang! Crash! Whizz! and Rosie and Jacinda: Demon Cloud.
Join many of the creators involved, ready to sign copies of comics and be friendly and charming at the wonderful Gosh Comics (1 Berwick Street, London W1F 0DR) October 3rd 2014, 7pm-9pm!
See the Facebook Event Page here!

10 courgettes, a squash, 2 gourds and lots of pumpkins

The fantastic Lisa Woynarski is taking part in the intriguing Trans-Plantable Living Room as part of the Green Stage Project.

Trans-Plantable Living Room is a living, edible performance space, grown by community gardeners, which will host interactive performances during  September 2013 in Cardiff and London.

I drew this this illustration for the performance book.

Richy's-Lisa-Pumpkin-Pic

Portrait & Life Part 8: Ink

Here’s the final selection of images from the Portrait and Life class I was doing a little while ago.

Working in black ink, with no pencil roughs first was my favourite way to tackle life drawing.  You can’t be precious and have to make every line count.

Ink, Life 20 mins 24.1.12

Ink, Life 20 mins 24.1.12

Ink-Life-15.11.11

Ink, Life 15.11.11

Ink-Life-29.11.11

Ink, Life 29.11.11

Ink-Line-1.11.11

Ink, Life 45 mins 1.11.11

I’d love to do a comic in this style sometime, though maybe with people wearing clothes!