MCM London Comic Con 2014

Cheers to all the lovely folk who visited the Tempo Lush table at MCM London Comic Con this past weekend.  Great meeting new people and having folk who had read my work before come back for more!

Really pleased that all my new comics were selling.  Had to rearrange my table a bit to make space!
MCMOct2014-01 I tend to keep some work on the go to make use of downtime.  That’s some panel borders for upcoming Lucy the Octopus strips…
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MCM wouldn’t be the same without my table neighbour Van Nim to share carrots and chocolate with!
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On my other side, Francesca Dare of Penny Blackfeather fame and Karim Flint of Limehouse Comics.
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The mighty Sloth Comics table…
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While I’m usually happy behind my table for the three day event I sometimes can’t resist dashing out to grab a photo if I see some cool cosplay.  Here’s a great Belle from Disney’s Beauty & the Beast…
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And here’s an awesome Mable and Dipper from Gravity Falls
MCMOct2014-07As usual I got a chance to do some Lucy the Octopus style commissions like this David Tennant as Dr Who as an octopus…MCMOct2014-08…as requested by the Cheshire Cat!MCMOct2014-09 And finally three ladies who insisted on pulling some excellent silly faces
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MCMOct2014-12Thanks to everyone who stopped by.
Next stop… Thought Bubble!

Evolution of an Anthology Cover: Tempo Lush Tales Cover Process with Darker Chi Lynch

So designing the cover for an anthology’s a tricky thing.  Do you focus on an image representing one of the stories inside, or make reference to all of them?  What was I going to put on the front of Tempo Lush Tales that would encompass what the book’s about and make people want to pick it up?

After researching other anthologies (both comics and regular ol’ wordy books) I settled on trying to get an overall vibe of the collection across in a single image.  There’s a variety of styles in the book from dark satire to softer sweetness so I hoped to come up with something that would bridge common ground of all the ideas in the book without focusing on any specific story or character.

I wanted something that showed something of this Earth but with a fantastical twist – something like a flying whale!  This was the perfect image but far from original – a quick google of the term brings all sorts up, plus I was already a fan of the whale sequence from Disney’s wonderful Fantasia 2000, so didn’t want to ape that.

I considered all sorts of flying objects and animals – very hard to find something that hadn’t already been done.  I eventually tried playing with the concept of giant flying pineapples.  See my early messing around with the idea on Photoshop below…

tlt-cover-blog-01Even as a very rough depiction of the idea, it wasn’t quite gelling for me.  I had plenty of other work to be getting on with so I put the cover aside for a few weeks.

As the deadline for the release of the book was closing in, I turned to artist and designer, Darker Chi Lynch, to see if she could do better than my own attempts.

She was smart and tried quickly getting down on paper loads of possible directions the cover could take, based on talking through my concept for the collection with me…
tlt-cover-blog-02We both kind of liked the cubes and the big eye thing.  Darker tried playing with the cubes…tlt-cover-blog-03…but didn’t feel it was quite right for the project.  It was a little mathematical and we needed something more organic. tlt-cover-blog-04The eye definitely seemed the way to go.  We talked about the concept of having the eye in the knots or the rings of a tree trunktlt-cover-blog-05Suddenly things were clicking.

When you cut a tree down you can count the rings of the trunk and tell how many years it had lived for.  We liked the idea of the eye being a spirit from within the tree, able to tell not only how old the tree was but many more stories.
It also made sense that cutting the tree down releases those stories, as paper from the tree would is turned into pages delivering stories to a reader.

Darker did a mock-up on Photoshop of a potential cover, which was pretty close to the final result – it just needed polishing.tlt-cover-blog-06It was helpful to see the colours she envisioned at this stage.

A tree happened to have been cut down in front of a neighbour’s drive.  I sent photos to Darker for inspiration.tlt-cover-blog-07She got out her brushes and ink and went to work on the trunk image for the cover as well as the stars hung up with string.tlt-cover-blog-08 She had a few stabs at the title text and the central eye
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She did multiple eyes after we discussed using them as part of the interior design of the book too.  We hadn’t decided what would go where yet or which eye would make it on to the cover.tlt-cover-blog-10Darker combined the new art with the colours and textures of her earlier Photoshop rough.  She tweaked the title lettering a little, making it white with a shadow to really make it stand out.tlt-cover-blog-11And there you have it.  Thanks very much to Darker Chi Lynch – hope I can work with her again!

You can get hold of a copy of Tempo Lush Tales here!

Thought Bubble 2013 Round Up

I had a fun-filled weekend heading up to Thought Bubble Comic Con in Leeds.

Thanks to everyone who came by my table to say hi or pick up some Tempo Lush goodness!

TB2013-01I was glad my tower of bear boxes didn’t collapse…TB2013-02 It was great doing commissions for nice folk that stopped by.
Some Lucy the Octopus style portaits…TB2013-03 TB2013-04 TB2013-05 TB2013-06…and Mike & Sulley from Monsters Inc!TB2013-07 TB2013-08Being stuck behind a table for a weekend is made lots of fun by all the cool people than visit!
Here are Hayley Charlseworth and Sarah Turner. Sarah is taking part in WASP 2014 with her webcomic Folklore.TB2013-09Here is, comic creator and video maker, Dan Lester‘s friend Schmurgen Jonerhaffs.TB2013-10The friendly smiles of Alex Hern, Molly Muldoon ( who runs the Dr Who blog, Confused Companion) and Aaron Tavaler who interviewed me for The Big Smoke Podcast which he runs with Karim Flint.TB2013-11Two talented creators and awesome buds Sally-Anne Hickman and Francesca Cassavetti.
TB2013-12Even talented creators have to eat.  Dinner at Wagamamas with (L-R) Van Nim, Sally Jane Thompson, Zarina LiewPaul Shinn (my roomie!) and me…
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Plus (L-R) Saul Taylor, Francesca Dare, Jess Cave, Andy Poyiadgi and Elliot Bagget.
TB2013-14Richard Carter and Chantel Beaven.
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Ah yes! Here we have myself sitting alongside Mike Medaglia. I was very happy to pick up my copy of his new Avery Hill Publishing title, Seasons, complete with bookmark, bookplate and portrait…
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TB2013-17 TB2013-18 Had much fun on the train journey home playing Mariokart with Van Nim, Paul Shinn and Zarina Liew (who seemed to be having the time of her life).TB2013-20Just about recovered from the weekend now!

If anyone missed picking up any Lucy the Octopus comics or other Tempo Lush stuff you may want to visit my online shop!

Cheers!

Lucy the Octopus Style Portrait: Ming Xien & Arbi

Here’s a portrait I did of two of my bestest buds, Ming Xien (who I met doing an Art Foundation course in Wimbledon many years ago) and Arbi (who met Ming Xien while she was doing a computer animation course in Canada).  They are heading off to Canada very soon and I will miss playing Wii and arcade Games with them, and hanging with them in general (I suppose).  I’m hoping they will buy a Wii over in Canada so we can Mariokart race each other from across the world.As I was doing the portrait at home I could take a bit more time than when I do Lucy style portraits at comic shows.  Aside from my friends you can also see a Rabbid (from the Wii game we’ve so often played), Mike the Knight (which is one of many cartoons Arbi has been an animator on, alongside The Backyardigans and Disney’s Handy Manny) plus a penguin from a cartoon Ming Xien made herself.  Watch Penveda Day Spa here (with music and sound effects by me)!

Incidentally, another mutual friend, Illustrator Paul Shinn also drew Ming Xien and Arbi a leaving card.  Check it out here!

Bon Voyage guys!

Learn from my wisdom/mistakes! 14 tips for creators selling at MCM Expo (and other shows)

This past weekend I had a brilliant time, selling my wares at MCM Expo at the Excel Centre in London. Having been there a few times as a visitor and creator, I thought I’d note down some ideas to improve sales and the whole MCM experience, mainly to remind myself for the next one!

Most of these tips are relevant to other comic shows too.  Lots of this may be obvious to more experienced Comic con veterans but for those starting out, better not to learn the hard way…

1. PREPARE WAY, WAY, WAY IN ADVANCE
Book your table as soon as possible.  These events are often booked out months before showtime.
Plan ahead what stock you will need.  Allow yourself enough weeks / months to complete new products and promotional material and to get them printed.  (Printers often get busy near to big shows).
Nearer the time, make sure you know you’ve got your travel plans / journey time sussed.

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Lucy the Octopus posters – No last minute panic printing these bad boys for the show!

2. MAKE A CHECK LIST
What you need to prepare / take?
It might be a little bit like this…

  • Stock to sell
  • Display stands
  • Promotional banners
  • Table cloth(s)
  • Price labels
  • Posher Business cards to give to prospective clients (also having a portfolio handy might be good)
  • Cheaper business cards / flyers for anyone to take
  • Blu Tack, masking tape, sellotape, safety pins, scrap paper, pens for making notes, last minute price labels etc. – all sorts of issues could come up!
  • Drawing paper and materials (If you do portraits / commissions)
  • Clothes (What to wear?  What to wear?)
  • Snacks / Lunch
  • Water
  • Charge up phone / camera
  • Train / Helicopter tickets
  • Lots of change.  Fivers and pound coins seem especially useful to me.
  • Proof of Registration / Pass!!!!
  • Price / Stock List (see below)

3. PRICE / STOCK LIST
Save a copy of your list of product prices, to tweak and print out at every show.  Then make a note every time you sell something.
Record how much money you have at the start of each day (whether you’re keeping it in a tin, wallet, cash box or Lilo & Stitch purse) and check that everything tallies up at the end of the day.
Before the show, make a note of how many of each product you have brought with you (so you can check if any have gone missing at the end).  Note down all that you sell (and swap)!
Make sure the list is easy to read and understandable. Then if you have to leave your table, a helpful neighbour will have no problems understanding it and selling things on your behalf.

4. DON’T UNDERPRICE YOUR WORK!
This is really hard to get right but…
Remember your sale prices should not just cover the cost of printing / manufacture.  You should also consider the cost of travel to shows, table hire and most importantly your time, skill and effort in making your comics/products.
What would you pay for a similar product in a comic/book shop? 
Think professional and act professional. Yay!
You can provide products in a range of prices.  If people have already spent too much on imported Japanese chocolates (fair enough) they may not have enough to buy your £15 comic collection today, but they might buy the £1 postcard or £2 mini-comic.  This could lead to them buying your pricier stuff at another show.

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My table at the start of the weekend – I tweaked the layout of my products throughout

5. KNOW YOUR SPACE
If the Convention organisers haven’t already told you, find out how big your table is.
Is there an electric point?
Is there wall space behind you and if so are you allowed to stick things on it?
At most shows the answer to both of these is no.

6. PACE YOURSELF
As well as being behind your table selling stuff, you’ll most likely want to check out the rest of the show, have comfort breaks, buy Buffy pencil cases (if you’re me), grab a coffee (not me) or Dr Pepper (me again), not to mention shmooze with other creators.
Here’s my recommended times to do all this at MCM Expo…FridayLeast busy day, so here’s when you’ll want to check out Scooby-Doo Cosplayers, try out Wii games and check out the stands selling Pokemon hats.  Also, anything you wish to buy is less likely to be sold out at this early point of the show.
You could also take the opportunity of a more relaxed atmosphere to chat to some creators, but as lots of them don’t turn up until Saturday and Sunday you may want to plan another Creator shmooze session on one of those mornings.
SaturdayBusy, busy, busy – brace yourself and knuckle down!
Sunday – Not as busy as Saturday.  Busier than Friday.
First thing in the morning is the calmest part of each day.  At the end of the day there may be slightly fewer people but often folk are looking for a last minute purchase before they head home.

7. FOOD & WATER
Humans on the whole, really dig these and comic creators are no exception.
Have a good breakfast and eat lunch early.  I got caught in a rush of folks wanting portraits done on Saturday so didn’t eat til 4pm. (See how I suffer for my art).  Better than stuffing Pringles into my mouth while trying to draw someone.
In all the fun, don’t forget to keep hydrated or you’ll get a headache the next morning.  So says Dr Richy.
The flip side of this is you’ll want to check out where your nearest toilet is.  As an exhibitor, you may be able to use your industry pass to get into nearby toilets that avoid the crush of thousands of visitors.  This could mean missing out on seeing a zombie applying their makeup though.

8. BRING ENOUGH STOCK
Make sure you have plenty of stock.  You don’t want to be lugging case loads of stuff you’ll never sell but it’s really frustrating for something to be flying off the table only to have not brought enough.
After a couple of cons you’ll get an idea of what sells and in what quantities, but best air on the side of caution.
What sells at MCM might not do so well at a Zine / Alternative Press Fair and vice versa.  Different markets.

9. CATCH EYES
Another reason for not running out of stock is you don’t want your table to look sickly and depleted.
Folk are not so likely to spot my tiny bear shaped mini-comics box sets if I only have a couple on the table.  If I have a tower of them, they’ll be noticed from further away.  So I build a tower of 7 bear boxes.  I might only sell 3 in an afternoon but that’s three more than if nobody had spotted them.  In other words I need the 7 there to sell the 3.

Even if you only have one comic to sell, keep your table enticing with lots of art samples.  It might also help to share the space with a friend, and double the eye candy.
If passers-by don’t like the look of your comic (or even notice it) they’ll keep passing by.  If they spot something else on your stall (even if its not yours) they may take an interest in your comic when they take a closer look at your table.
Banners are also handy.  Your table should stand out and catch the eye of people from across the room.  My own stand up banner advertising that I was available to do portraits was far too small but it was clearly something punters were up for when they were close enough to notice!

10. KEEP BUSY
Weird thing – if you sit behind your table drawing, folk will take an interest in your stall (especially if they can see what it is you are working on).  The audience there are into this kind of stuff!
Cutting up bits of bear boxes and putting them together shows people the hand crafted nature of the work and they value it more.
Likewise, the time I get the most portrait commissions is when people see me doing a portrait commission.

11. GENTLY DOES IT
I usually say hi to anyone who stops to look at my table to let them know I’m happy to chat if they’re interested. If they’re looking cautious about picking up a copy of something, I let them know there’s no problem doing so.
What I don’t do is run through all the items available like I’m working for a TV shopping channel. I’ve seen potential customers back off from creators who are over pushing their work.  No one should be pressured into buying your comic.
Often when someone says they want to have a look at everything in the show before deciding what to buy, you will see them back at your table later in the day.

12. LOVE THY NEIGHBOUR
Even if sales aren’t going well, a show can be brilliant fun if you have the right table mates. I usually ask for my table to be next to my talented creator friends Zarina Liew and Van Nim. Its great to have people you can trust to sell your work when you need a break.
When you know another creator’s work its nice to recommend it to a visitor.  You may get some recommendations back your way.
Not knowing the folk around you has advantages too, liket you get to know new creators.  That’s how I met Zarina and Van in the first place.
Goes without saying, be friendly and courteous to your fellow comic villagers.  Offer cups of tea etc if you’re heading off to get some or to keep an eye on their stall if they need to head off.
Chatting helps get everyone through the day, but be sensitive to a creator if a potential customer is looking at their work.  Give them space to talk to the customer and wait to carry on debating who would win a fight between Buffy and Wonder Woman (it’s Buffy by the way).  Same goes if a creator is desperately trying to pack / unpack their table.

13. AFTER THE SHOW
Get some sleep.
Check your stock sold and money taken matches up with what your noted on your Price / Stock list.
Follow up with any contacts you made.
Consider which items you should take more / less of next time.  Cat Zombies did well.  Zombie Cats didn’t shift at all.
Should you make more of a certain type of comic / product?
What else could you do to improve your sales next time?
Book and plan your next shows!

14. FINALLY… TRY TO LOOK COOL WHEN HAVING A PHOTO TAKEN WITH BELLE FROM BEAUTY & THE BEAST
And not have a stupid goofy grin.

I’m sure more experienced creators will have more advice to suggest, so please post a comment if you you do!

See some pix from MCM London October 2012 here!

Event Pics! MCM Expo October 2012: Comics, Bears & Cosplayers

I had a great time at this past weekend’s MCM Expo.  Thank you to anyone who came to chat or buy things from my table.Great to see a whole kaboodle of other creators, like these lovely folk…

Josceline Fenton busy drawing her comic Hemlock

The mighty Dan Lester

Chloe Citrine & Laura Watton

The lovely view from my table: Ushio

Tammy Taylor!

While at my table, I was busy making some bear shaped mini comics box sets…


I also did Lucy the Octopus Style Portraits of a whole bunch of lovely people…

Superman and Wonder Woman – in casual dress

Yay for Totoro!

Catgirl and Pikachu with Plush kitty

Blue Haired Panda Girl!

Mad Hatter and the March Hare

Merlin

Merlin Closeup

Playstation Fan and mum

MCM wouldn’t be MCM without cosplayers!

This Alice (American McGee’s Alice to be precise) was all cheery until she posed then became macabre in an instant!

Ash and Pikachu

Jayne Cobb from Serenity / Firefly

Me and No Face from Spirited Away

Belle from one of my favourite Disney movies, Beauty & the Beast, as portrayed by Aigue-Marine

And last but not least… some excellent Daphnes, Velmas, Scooby-Doos, Freds and Shaggys – the whole Scooby gang in fact!

Check out my post with tips for selling at MCM here!

Portrait & Life Part 3: Watercolours

A nice thing about taking an art class is you can try out all sorts of techniques and mediums that might not suit the commissions you’re working on in your professional life.  I hadn’t touched watercolours for ages, but inspired by various children’s book illustrations and the excellent backgrounds in the Disney movie Lilo and Stitch, I really wanted to try them again.

Watercolour Life Painting 6.3.12

I love the paint’s translucency, especially against nice grainy paper.  The tricky thing is timing when to add another layer on top.  It’s great working over wet paint and getting a soft edges to each area of colour.  It gets frustrating though when you need to do fine sharp detail and the paint below isn’t dry yet.

The room itself makes a really difference to the drying speed.  On a wet day it can feel like forever, on a sunny day or a cold day with heaters in the room the paint can dry too fast if you’re not careful.  Back in my studio I can use a hairdryer to help control the process.

Watercolour Life Painting 15.11.11

These were all painted over a rough pencil guide.  Some artists work without this guide, filling in big areas of space and colour, then getting more and more precise with each layer.  I’ve given this a shot too but find that approach counter-intuitive, which is why I’m not displaying my attempts on this blog!

Watercolour Portrait 13.12.11

More work from my Portrait and Life class soon…