London Super Comic Convention, Feb 23-24 2013

Next month I’ll be selling my wares at this fantastic show…

London Super Comic Convention
February 23rd & 24th 2013
Excel Centre, London
www.londonsupercomicconvention.com

Well worth a visit!  I’ll be table mates with my comic creator bud Zarina Liew and on the look out for one of my biggest comic inspirations David Mack!

Can’t wait!

Arty Friends Birthday Cards

Very proud to show off some lovely birthday cards that some arty buds drew for me…

Blossom the Vampire Slayer by Paul Shinn

Penguin obsessed Illustrator Paul Shinn blends Blossom and Buffy the Vampire Slayer, two of my favourite shows.

Happy Birthday Card by Francesca Dare (featuring Lucy the Octopus tentacles)

Comic creator Francesca Dare has a touch of Lucy the Octopus to her card.  Check out her wonderful web comic Penny BlackFeather.

Lucy the Octeapus by A J Poyiadgi

Finally filmmaker and comic creator A J Poyiadgi nails Lucy and adds a little Teapot Therapy!

Score & Script

Last Wednesday 21 November 2012 saw the private view / opening night of an exhibition of pages of art from the very clever John Miers Score & Script project, taking place at the Centre for Recent Drawing, C4RD, 2-4 Highbury Station Rd, N1 1SB) up until 15 December.

30 artists including myself have taken part in the project, creating comic pages from based on an unusual script or a mysterious score, both originated by John.  23 of the artists are showing their work.  The others are still working on their entries.

The creators all worked without consulting each other as part of John’s academic research.  Since some artists are still completing their work, and I don’t want to influence their final results, I have censored the exhibit photos, but will post the complete images when all is made public.

In the mean time, the only way to see the comic pages is to head to the exhibition!  John Miers
himself suggests…

“A really excellent time to visit would be Sat Dec 8th, when we’ll also be doing a comics fair selling other work by the exhibitors, some of whom may even be mooching about in person!… I already have a big stash of Richy’s wares in stock, and will be pimping them aggressively!”

A whole kaboodle of visitors at the private view

Comic creators Francesca Dare and Tim Hassan soaking in the artistic party atmosphere

The great Kripa Joshi in between her own work and a page by David O’Connell

Mike Medaglia and Elliot Baggott by their work with a page by Sally-Anne Hickman behind

Steven Walsh, the writer to Mike Medaglia’s art with Mike.

Me standing in front of my work, proudly hanging between pages by Woodrow Phoenix and Sean Azzopardi

Learn from my wisdom/mistakes! 14 tips for creators selling at MCM Expo (and other shows)

This past weekend I had a brilliant time, selling my wares at MCM Expo at the Excel Centre in London. Having been there a few times as a visitor and creator, I thought I’d note down some ideas to improve sales and the whole MCM experience, mainly to remind myself for the next one!

Most of these tips are relevant to other comic shows too.  Lots of this may be obvious to more experienced Comic con veterans but for those starting out, better not to learn the hard way…

1. PREPARE WAY, WAY, WAY IN ADVANCE
Book your table as soon as possible.  These events are often booked out months before showtime.
Plan ahead what stock you will need.  Allow yourself enough weeks / months to complete new products and promotional material and to get them printed.  (Printers often get busy near to big shows).
Nearer the time, make sure you know you’ve got your travel plans / journey time sussed.

Lucy-searches-for-Puffy-Final

Lucy the Octopus posters – No last minute panic printing these bad boys for the show!

2. MAKE A CHECK LIST
What you need to prepare / take?
It might be a little bit like this…

  • Stock to sell
  • Display stands
  • Promotional banners
  • Table cloth(s)
  • Price labels
  • Posher Business cards to give to prospective clients (also having a portfolio handy might be good)
  • Cheaper business cards / flyers for anyone to take
  • Blu Tack, masking tape, sellotape, safety pins, scrap paper, pens for making notes, last minute price labels etc. – all sorts of issues could come up!
  • Drawing paper and materials (If you do portraits / commissions)
  • Clothes (What to wear?  What to wear?)
  • Snacks / Lunch
  • Water
  • Charge up phone / camera
  • Train / Helicopter tickets
  • Lots of change.  Fivers and pound coins seem especially useful to me.
  • Proof of Registration / Pass!!!!
  • Price / Stock List (see below)

3. PRICE / STOCK LIST
Save a copy of your list of product prices, to tweak and print out at every show.  Then make a note every time you sell something.
Record how much money you have at the start of each day (whether you’re keeping it in a tin, wallet, cash box or Lilo & Stitch purse) and check that everything tallies up at the end of the day.
Before the show, make a note of how many of each product you have brought with you (so you can check if any have gone missing at the end).  Note down all that you sell (and swap)!
Make sure the list is easy to read and understandable. Then if you have to leave your table, a helpful neighbour will have no problems understanding it and selling things on your behalf.

4. DON’T UNDERPRICE YOUR WORK!
This is really hard to get right but…
Remember your sale prices should not just cover the cost of printing / manufacture.  You should also consider the cost of travel to shows, table hire and most importantly your time, skill and effort in making your comics/products.
What would you pay for a similar product in a comic/book shop? 
Think professional and act professional. Yay!
You can provide products in a range of prices.  If people have already spent too much on imported Japanese chocolates (fair enough) they may not have enough to buy your £15 comic collection today, but they might buy the £1 postcard or £2 mini-comic.  This could lead to them buying your pricier stuff at another show.

Table

My table at the start of the weekend – I tweaked the layout of my products throughout

5. KNOW YOUR SPACE
If the Convention organisers haven’t already told you, find out how big your table is.
Is there an electric point?
Is there wall space behind you and if so are you allowed to stick things on it?
At most shows the answer to both of these is no.

6. PACE YOURSELF
As well as being behind your table selling stuff, you’ll most likely want to check out the rest of the show, have comfort breaks, buy Buffy pencil cases (if you’re me), grab a coffee (not me) or Dr Pepper (me again), not to mention shmooze with other creators.
Here’s my recommended times to do all this at MCM Expo…FridayLeast busy day, so here’s when you’ll want to check out Scooby-Doo Cosplayers, try out Wii games and check out the stands selling Pokemon hats.  Also, anything you wish to buy is less likely to be sold out at this early point of the show.
You could also take the opportunity of a more relaxed atmosphere to chat to some creators, but as lots of them don’t turn up until Saturday and Sunday you may want to plan another Creator shmooze session on one of those mornings.
SaturdayBusy, busy, busy – brace yourself and knuckle down!
Sunday – Not as busy as Saturday.  Busier than Friday.
First thing in the morning is the calmest part of each day.  At the end of the day there may be slightly fewer people but often folk are looking for a last minute purchase before they head home.

7. FOOD & WATER
Humans on the whole, really dig these and comic creators are no exception.
Have a good breakfast and eat lunch early.  I got caught in a rush of folks wanting portraits done on Saturday so didn’t eat til 4pm. (See how I suffer for my art).  Better than stuffing Pringles into my mouth while trying to draw someone.
In all the fun, don’t forget to keep hydrated or you’ll get a headache the next morning.  So says Dr Richy.
The flip side of this is you’ll want to check out where your nearest toilet is.  As an exhibitor, you may be able to use your industry pass to get into nearby toilets that avoid the crush of thousands of visitors.  This could mean missing out on seeing a zombie applying their makeup though.

8. BRING ENOUGH STOCK
Make sure you have plenty of stock.  You don’t want to be lugging case loads of stuff you’ll never sell but it’s really frustrating for something to be flying off the table only to have not brought enough.
After a couple of cons you’ll get an idea of what sells and in what quantities, but best air on the side of caution.
What sells at MCM might not do so well at a Zine / Alternative Press Fair and vice versa.  Different markets.

9. CATCH EYES
Another reason for not running out of stock is you don’t want your table to look sickly and depleted.
Folk are not so likely to spot my tiny bear shaped mini-comics box sets if I only have a couple on the table.  If I have a tower of them, they’ll be noticed from further away.  So I build a tower of 7 bear boxes.  I might only sell 3 in an afternoon but that’s three more than if nobody had spotted them.  In other words I need the 7 there to sell the 3.

Even if you only have one comic to sell, keep your table enticing with lots of art samples.  It might also help to share the space with a friend, and double the eye candy.
If passers-by don’t like the look of your comic (or even notice it) they’ll keep passing by.  If they spot something else on your stall (even if its not yours) they may take an interest in your comic when they take a closer look at your table.
Banners are also handy.  Your table should stand out and catch the eye of people from across the room.  My own stand up banner advertising that I was available to do portraits was far too small but it was clearly something punters were up for when they were close enough to notice!

10. KEEP BUSY
Weird thing – if you sit behind your table drawing, folk will take an interest in your stall (especially if they can see what it is you are working on).  The audience there are into this kind of stuff!
Cutting up bits of bear boxes and putting them together shows people the hand crafted nature of the work and they value it more.
Likewise, the time I get the most portrait commissions is when people see me doing a portrait commission.

11. GENTLY DOES IT
I usually say hi to anyone who stops to look at my table to let them know I’m happy to chat if they’re interested. If they’re looking cautious about picking up a copy of something, I let them know there’s no problem doing so.
What I don’t do is run through all the items available like I’m working for a TV shopping channel. I’ve seen potential customers back off from creators who are over pushing their work.  No one should be pressured into buying your comic.
Often when someone says they want to have a look at everything in the show before deciding what to buy, you will see them back at your table later in the day.

12. LOVE THY NEIGHBOUR
Even if sales aren’t going well, a show can be brilliant fun if you have the right table mates. I usually ask for my table to be next to my talented creator friends Zarina Liew and Van Nim. Its great to have people you can trust to sell your work when you need a break.
When you know another creator’s work its nice to recommend it to a visitor.  You may get some recommendations back your way.
Not knowing the folk around you has advantages too, liket you get to know new creators.  That’s how I met Zarina and Van in the first place.
Goes without saying, be friendly and courteous to your fellow comic villagers.  Offer cups of tea etc if you’re heading off to get some or to keep an eye on their stall if they need to head off.
Chatting helps get everyone through the day, but be sensitive to a creator if a potential customer is looking at their work.  Give them space to talk to the customer and wait to carry on debating who would win a fight between Buffy and Wonder Woman (it’s Buffy by the way).  Same goes if a creator is desperately trying to pack / unpack their table.

13. AFTER THE SHOW
Get some sleep.
Check your stock sold and money taken matches up with what your noted on your Price / Stock list.
Follow up with any contacts you made.
Consider which items you should take more / less of next time.  Cat Zombies did well.  Zombie Cats didn’t shift at all.
Should you make more of a certain type of comic / product?
What else could you do to improve your sales next time?
Book and plan your next shows!

14. FINALLY… TRY TO LOOK COOL WHEN HAVING A PHOTO TAKEN WITH BELLE FROM BEAUTY & THE BEAST
And not have a stupid goofy grin.

I’m sure more experienced creators will have more advice to suggest, so please post a comment if you you do!

See some pix from MCM London October 2012 here!

Event Pics! MCM Expo October 2012: Comics, Bears & Cosplayers

I had a great time at this past weekend’s MCM Expo.  Thank you to anyone who came to chat or buy things from my table.Great to see a whole kaboodle of other creators, like these lovely folk…

Josceline Fenton busy drawing her comic Hemlock

The mighty Dan Lester

Chloe Citrine & Laura Watton

The lovely view from my table: Ushio

Tammy Taylor!

While at my table, I was busy making some bear shaped mini comics box sets…


I also did Lucy the Octopus Style Portraits of a whole bunch of lovely people…

Superman and Wonder Woman – in casual dress

Yay for Totoro!

Catgirl and Pikachu with Plush kitty

Blue Haired Panda Girl!

Mad Hatter and the March Hare

Merlin

Merlin Closeup

Playstation Fan and mum

MCM wouldn’t be MCM without cosplayers!

This Alice (American McGee’s Alice to be precise) was all cheery until she posed then became macabre in an instant!

Ash and Pikachu

Jayne Cobb from Serenity / Firefly

Me and No Face from Spirited Away

Belle from one of my favourite Disney movies, Beauty & the Beast, as portrayed by Aigue-Marine

And last but not least… some excellent Daphnes, Velmas, Scooby-Doos, Freds and Shaggys – the whole Scooby gang in fact!

Check out my post with tips for selling at MCM here!

Buffy, Nightcrawler and the Big Bang Theory, Lucy the Octopus style…

Had a fun time imagining what some of my favourite characters would look like drawn as octopuses… Lucy the Octopus style!

The Big Bang Theory (Howard, Leonard, Penny, Sheldon, Raaj, Amy, Bernadette): Lucy the Octopus Style!

Buffy the Vampire Slayer: Lucy the Octopus Style!

Nightcrawler of the X-Men: Lucy the Octopus Style!

The Making of Lucy Searches for Puffy

So this week’s Lucy the Octopus strip was no normal episode.  An average Lucy strip takes about 5 hours to complete.  This took more than a week…

I’ve been meaning to try a large one panel Lucy comic for a couple of years, and stars aligned to demand I finally get on with it.

I knew I wanted to do a seascape with Lucy depicted at various moments in one day.  Lucy looking for her beloved pet puffer fish seemed liked a good scenario.
I noted down all the design and story elements I’d need, including any visual gags that sprung to mind.  I’d already planned to turn the image into a poster, so not wanting to date the image too much when people see it a year or so from now, I planned to include characters that have yet to appear in the weekly webcomic.
This lead to all sorts of storyline and gag ideas that I also noted down to incorporate into the strip down the line.

Lucy-searches-for-Puffy-Initial-Notes

Initial Notes

Next up I made a very rough plan of the layout of the buildings and story elements.  I wasn’t worrying too much about the shape of the finished image at this point.

Lucy-searches-for-Puffy-Rough-Plan

Rough Plan

Now to put the elements closer to how they would appear int he final image.  Note my old school green grid system to help me transfer the layout on A3 paper onto the A2 paper I would do the final artwork on.

Lucy-searches-for-Puffy-Tighter-Plan

Tighter Plan

While working on the penciled artwork I did a whole heap of design doodles (technical term) for any characters and elements that I’d yet to draw in the webcomic.
Drawing the underwater vehicles was a challenge, but ultimately fun.  Interpreting real life machines into underwater versions helps give me further understanding the world Lucy inhabits.

Lucy-searches-for-Puffy-Character-Designs

Design Doodles

The pencils – frankly the most taxing bit of the process!
I drew these tighter than I would for a normal strip as there was so much to keep track of.
At this point the weapon shop that Lucy’s parents shop in was called Weapons R Us.  By the time I got to the inks I thought Bang Bang was a less obvious and far more “Lucy” style name for it.

Lucy-searches-for-Puffy-Pencils

Pencils (Click image for bigger view)

Inking the image was again a little different to a normal Lucy the Octopus episode.  I used a far wider variety of line strengths ranging from a 0.2 mm fine liner to a Sharpie marker pen, to get a sense of depth (thicker lines in the foreground).

Lucy-searches-for-Puffy-Inks

Inks (Click image for bigger view)

As with most Lucy images I included some photographic rock textures over the majority of the rocky buildings and rocky, er, rocks.

Lucy-searches-for-Puffy-Texture

Texture

A sandy background included shadows under characters, buildings and objects.

Lucy-searches-for-Puffy-Sand-Background-with-Shadows

Sand Background

The colour added on Photoshop.  With the regular Lucy strip I don’t have time to add much lighting to the characters, so it was good to make this image a little more special.

Lucy-searches-for-Puffy-Final

Final (Click image for bigger view)

After adding the Lucy logo, I sent a file off to the printers and got these lovely posters back!

Lucy-searches-for-Puffy-Poster

The printed posters

Horray and phew!  On to the next drawing…

Writing Characters Workshop at the Royal Festival Hall

WRITING CHARACTERS WITH RICHY K. CHANDLER

Royal Festival Hall, London
Saturday 20 October 2012, 2pm

As part of the excellent WIP Comics Group, I’ll be running a workshop on writing interesting, distinct characters that readers care about. Attendees will get to put the ideas into practice.
Click here for the event’s Facebook page.

Should be good clean creative fun!